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A rogue ruined . . .
He is the Killer Duke, accused of murdering Mara Lowe on the eve of her wedding. With no memory of that fateful night, Temple has reigned over the darkest of London’s corners for twelve years, wealthy and powerful, but beyond redemption. Until one night, Mara resurfaces, offering the one thing he’s dreamed of . . . absolution.
A lady returned . . .
Mara planned never to return to the world from which she’d run, but when her brother falls deep into debt at Temple’s exclusive casino, she has no choice but to offer Temple a trade that ends in her returning to society and proving to the world what only she knows...that he is no killer.
A scandal revealed . . .
It’s a fine trade, until Temple realizes that the lady—and her past—are more than they seem. It will take every bit of his strength to resist the pull of this mysterious, maddening woman who seems willing to risk everything for honor . . . and to keep from putting himself on the line for love.
- Sales Rank: #15582 in eBooks
- Published on: 2013-11-26
- Released on: 2013-11-26
- Format: Kindle eBook
From Booklist
*Starred Review* Temple thought he killed her. Twelve years ago, he woke up, very drunk, in Mara Lowe’s bedchamber. The sheets were stained with blood, and Mara was nowhere to be seen. Dallying with his father’s latest bride-to-be on the night before her wedding is scandalous enough, but the possibility that he may have murdered her as well makes Temple a social outcast. Now the “Killer” Duke of Lamont, Temple has built a new life for himself as the part-owner and muscle behind London’s most notorious gambling hell, the Fallen Angel. When Temple hears footsteps following him home late one night, the last person he expects to see when he turns around is a dead woman. Mara ruined his life, but now she offers Temple the redemption he desperately craves, if he will only meet her demands. In the third stunning installment of her Rule of Scoundrels series, RITA Award–winning MacLean richly rewards readers with a dark, intense, and supremely sexy story that will connect emotionally on every level. Brimming with brilliant dialogue, memorable characters, and just the right dash of dry wit, No Good Duke Goes Unpunished is everything a romance should be. --John Charles
Review
MacLean seamlessly moves from the first novel in her Rules of Scoundrels series to the second. The same great chemistry, intelligence and sparkling humor shine, and the added sexual tension provided by lessons in temptation provides readers with a delectable read. Pure, unadulterated MacLean! RT Book Reviews
About the Author
SARAH MacLEAN grew up in Rhode Island, obsessed with historical romance and bemoaning the fact that she was born centuries too late for her own season. Her love of all things historical helped to earn her degrees from Smith College and Harvard University before she finally set pen to paper and wrote her first book. Sarah now lives in New York City with her husband, their dog, and a ridiculously large collection of romance novels.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Loved it
By jbirdp
Classic Sarah Maclean story. Loved it
139 of 160 people found the following review helpful.
If you love Big Misunderstandings, maybe you will enjoy.
By World of wool
The people in this book are idiots. It has some good moments, but the premise is as follows, and it has many, many problems:
12 years ago, the heroine was being forced into marriage with an old duke. She decided to bail on the wedding and did so by finding some random young blood out in the garden and flirting with him so he would take her to bed. Also, she drugged him. She meant to leave a little blood on the sheets to imply that the fellow had absconded with her virginity, and I think there was also some part of the plan where the fellow she had drugged and abandoned was also supposed to have left, so it would look like they had eloped together. (I was unsure. It was a really terrible plan, so the particulars were hard to tease out.)
Anyway. The guy she drugged was actually her husband-to-be's son and heir, and she used TOO MUCH pig blood and so, in spite of there not being a body or any other evidence, naturally everyone assumed that he had murdered her.
(Guys, guys. What?)
So now it's a dozen years later, and the young man has now inherited the dukedom (he is "The Killer Duke", because people of this era are apparently ultra gullible and not like "So... I mean, is there a body, or...?") but because people are mean to him because of how he may have murdered someone, he lives a lonely life as a partner in a gambling club, where he (tiny lol) has boxing matches with people when they've lost a lot of money. Or something.
Anyway. He is very sad and broken and he has changed his name to Temple. But then Mara comes back into his life. She isn't dead! Instead, she runs an orphanage for the by-blows of aristocrats, and also her brother is an idiot who lost all her money... to Temple's gaming club.
That's basically the plot. Mara did Temple wrong, and they are both upset.
The only explanation for why this book goes on as long as it does is that they are both complete idiots. What Mara did to Temple is really terrible (really) and it's very hard to forgive her for not coming forward once she realized that her dumb-as-heck plan made her patsy look like a murderer. But it's what happens once they meet up again that's hard to understand as a reader. Why doesn't Mara just tell him why she did what she did, and that she regrets hurting him? Why doesn't she just tell him about her orphanage? Why why why why why?!?!?!?!?
If you love a good misunderstanding-based romance, maybe this is the book for you. Otherwise, this is the type of book where you keep looking at the page count and wondering how on earth the author is going to string the Big Misunderstanding out for another X pages. It is periodically painful. Mara and Temple do seem to have some chemistry, but the total lack of coherent plot makes it just brutal to crawl through.
Tl;dr: these people are IDIOTS. It's the only explanation for how long everything takes to clear up. When all the problems keeping the characters apart could have been cleared up by a single honest conversation when they first met, and no new problems are introduced, good lord, life is not long enough to keep reading.
96 of 112 people found the following review helpful.
Every page. Written like this. It was annoying. Irritating. Maddening. It made me want to rip them all. And burn them. To ashes.
By jelly_Ace
Of the three Scoundrel books, this one is the 2nd worst. Cross's story was the worst, Bourne's story was my favorite (but it was way way below my ranking of her other books).
While a lot of people were complaining about the heroine, it was Ms. MacLean's prose that irritated me the most.
SPOILERS AHEAD!
She kept on using fragments and one-sentence paragraphs to try to emphasize drama and emotion, but she ended up using it to the point that every page is covered with fragments and those onesies. She had this problem with Bourne's book (I never did get to the midway to Cross's book, and I don't even want to try to finish that one to generate a review), but it wasn't that bad. In this book, it was so noticeable. Her writing just became very ineffective for me, and I almost didn't finish the book.
Examples
Chapter 1:
Fight Temple.
Win.
And all was forgiven.
One paragraph later:
All the things he'd been promised.
All the things he'd been born to.
All the things he had lost in one, unremembered night.
Chapter 5:
The now-empty platform.
The now-empty room.
S***.
She had finally run.
Chapter 10:
He'd turned her inside out with his touch. He'd tempted her. He'd made her like him.
And then he'd call her a whore.
Chapter 14:
He'd made her laugh and smile. He'd made her beautiful.
For the first time in her life.
For the only time in her life.
They *are* very dramatic, I'll grant her that (although they're very reminiscent of the voiceovers in movie trailers). But if on every page you encounter three, it just became so annoying. It's like every paragraph/page had this structure: DRAMAsetupDRAMAjustalittlelongsetupokayherewegoDRAMAokayhereitisagainDRAMAwoothatwasfastDRAMAwhatDRAMAagain?DRAMAidontevenDRAMA
When I reached the part near the end when, Temple, who was confronting a journalist, said, "You. Will. Not. Make. A. Mockery. Of. Her.", I LOL'd so hard. It was the culmination of the full-stop madness that was this book. It was ridiculous.
She also loves her threes. Maybe we should call this series the Rule of Thirds.
I don't have any much to say about the hero or heroine, mostly because my annoyance over the writing style just eclipsed any opinion I might have of the two. Generally, I found Temple to be panting too much after Mara. And Mara seemed a bit selfish and not at all repentant over what she had wrought. Ms. MacLean tried to justify her actions by throwing in an orphanage--and thereby hitting three birds with one stone. It was justification to make the heroine more sympathetic and likable, it added instant cuteness (Naughty, irreverent boys! Hijinks with piglets! Smart-aleck assistant!), and it got the plot resolved (why didn't she return to Society and restore Temple (heh)). But, as some of the reviews have mentioned before, the orphanage bit did not really work.
I really loved Bourne in this book, though. His and Temple's friendship was really nice to see.
I don't think I'm gonna buy the next book. Maybe just borrow it, just for closure. But I'm not looking forward to reading the book, especially knowing that I'm going have to deal with the dot-attacks, onesies and threesomes.
Save your money. Borrow, don't buy.
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